REVERENCE 2024 | Sydney

28 November 2024 – 10 January 2025

About Exhibition

We are honoured to be entrusted with this exceptional body of work, a fitting collection to celebrate the opening of our new space in Sydney.  

Every work in this refined collection has been hand-selected for its exceptional quality and to highlight the stylistic shifts throughout this significant movement’s trajectory. Presenting contemporary and expressive pieces alongside early works on wood and bark helps blur the time periods within the genre; in turn expanding our market’s knowledge and captivating a broader attention. 

We open with Martuwarra 2013, a beautifully resolved work by Sonia Kurarra, presented alongside Uta Uta Tjangala’s monumental early board Untitled-Yina at Tilirangaranya 1972 – an undisputable masterpiece by the artist and one of the many focal points of this exhibition. The painting is a genuine recent discovery – originally acquired by the present owner’s family from the important early exhibition Warlpiri and Pintupi Art, held in the Barossa Arts Festival in 1973. We are truly honoured to be entrusted with this superb picture. 

Another highlight is Emily Kam Kngwarray’s Untitled 1992, exhibited alongside the exceedingly rare and sculptured hooked boomerang from the nineteenth century. This is the only example of this style of boomerang to have been offered for sale, having first appeared in 2009 at a Sotheby’sAuction some 15 years later.    

We are also extremely excited to offer one of Bill Whiskey’s last remaining large-scale works still remaining in private hands. This monumental picture measures 182 x 270 cm in size and possesses the soothing and healing qualities that we often see in the work of this western desert master.

Works

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